Once referred to by Iggy Pop as “the only current punk band I can think of that sounds really dangerous,” Iceage has proven in their decade of existence that there is more substance to their brooding post-punk than their rough and detached exterior would lead one to assume. The Copenhagen quartet formed in 2008 when all four members were frustrated teenagers who found inspiration in New York no-wave groups like Mars and avant-punk bands like Crass. Iceage’s 2011 debut album New Brigade introduced listeners to the blistering exuberance this young band could provoke, mixed with moody goth undertones. The group soon gained a reputation for their proudly chaotic and occasionally violent live shows, along with infamously awkward interviews, all of which earned frontman Elias Bender Rønnenfelt the title of “Rock’s Most Difficult Frontman” by The Fader. Iceage’s newly released fourth album Beyondless hears the band expanding into new sonic territory that incorporates elements of jazz and pop, but not at the expense of their now trademark ferocity. The band’s eagerness to develop their sound shows how Iggy Pop’s proclamation of Iceage being the only “dangerous” punk band is true, but perhaps in a different manner than he originally intended. - SF Weekly
One of the leading players in the Bay Area’s revival of psychedelic sounds that emerged in the wake of Comets on Fire and Six Organs of Admittance in the late ’90s, Wooden Shjips play their first San Francisco show in several years at Slim’s Friday. - KPIX / CBS Bay Area
California surf-noir combo The Buttertones just released Midnight in a Moonless Dream on Innovative Leisure, featuring more sonic vignettes inspired by film and early rock n’ roll. One of the standout cuts on the album is “You And Your Knife,” which is thick with moody atmosphere like a night drive down a lost highway. We’ve got the premiere of its music video, directed by Zack Bernstein, that makes good use of funhouse mirrors and a rooftop set. Watch that, and listen to the whole album, HERE. - Brooklyn Vegan
The Philadelphia band Sheer Mag channel the classic rock of the ’70s with the mustaches to prove it—and their live shows are out of this world. When I saw them a few years ago in the lobby of a tattoo shop, both guys and girls danced topless in the front row.
One thing about Sheer Mag is that despite sounding like 1976 Cleveland arena rock, they’re staunchly punk in spirit; they refuse to sign a record deal, they book their own tours, they put out their own records—and I like to think it’s paid off by preserving a lot of the fun that makes them special. - KQED Arts
While still a relatively fresh name in hip-hop, elusive Brooklyn rapper SAINt JHN is no stranger to the music industry. Since 2010, he has lingered in the shadows, writing lyrics for the likes of Usher, Jidenna, and Hoodie Allen before taking the stage himself in 2016 with his debut single “1999.” Born in Brooklyn, JHN spent much of his formative years in Guyana, which influenced his artistry and flow, claiming in an interview with Billboard, “To have the background of being in Guyana gave me a really specific type of influence. Because dancehall music is really melodically driven. Sometimes, the subject matter is a bit harsh, so I can borrow from both of those things.” Collection One, JHN’s debut studio album released in March, is just as much of a reflection of JHN’s upbringing as it is of his career in the music industry. Stylistically, JHN’s flow balances rapping and singing, with standout track “Reflex” exemplifying the strength of his voice. Lyrically, JHN bounces between braggadocio and confessional thoughts, never giving the false pretense he is rapping as a character. - SF Weekly
An all-star punk-metal quartet that reunited two virtuoso members of the legendary experimental band Fantômas returns to the Bay Area when Dead Cross takes the stage at the Great American Music Hall Wednesday night.
The quartet performed its first live shows last summer, headlining small theaters (including its local debut at the UC Theatre in Berkeley) and making several festival appearances that earned Dead Cross kudos for ferocious blasts of intensity the band delivers from the stage. The group plays the Great American Music Hall Wednesday night ahead of a scheduled date in Mexico and a planned summer tour through Europe. Opening the show will be Mamaleek, a shadowy, experimental black metal outfit allegedly made up of two anonymous brothers who arrived in San Francisco via Beirut and mix elements of jazz, electronic and Middle Eastern music into their eclectic, menacing stew.
Click HERE for the rest of CBS SF Bay Area's preview & pick up your tickets soon!
British art rock quartet Django Django appears at the Great American Music Hall on Saturday, April 28, hot off the heels of two weekends in the desert at this year’s Coachella Valley Music & Arts Festival (or the first-ever Beychella, if you will). The group — producer-drummer David Maclean, vocalist-guitarist Vincent Neff, bassist Jimmy Dixon and keyboardist Tommy Grace — is known for its genre-bending ethos, featuring strong rockabilly, Jamaican dancehall and pop influences.
The band is on tour following the release of its third full-length album, “Marble Skies,” which recalls much of the homespun charm that characterized Django Django’s 2012 self-titled debut, an album recorded in Maclean’s bedroom. With the latest work, the group steps away from the expansive sound of its second album, “Born Under Saturn,” to create new material that is well-honed and attentive. Los Angeles indie pop artist Ofelia K supports. - SFGate
Near the end of a 20-minute phone call from Los Angeles, Alice Glass, the former frontwoman of the electroclash band Crystal Castles, goes quiet. She says she has been feeling “a little bit frazzled” throughout the interview.
(That’s only been occasionally apparent with a few hesitant pauses and asides like “Does that make sense?” or “No, wait …” or “I’m just trying to put into words ...”)
“I really didn’t do a lot of interviews before,” Glass says. “It’s just something I really want to do more of because I remember reading different music magazines and things when I was a kid, and it made me really interested to learn about new music.”
Given the circumstances under which she left Crystal Castles, that sentiment has a deeper significance: Alice Glass has found her voice, and she’s ready to use it.
Click HERE for the rest of SFGate's interview!
Hip-hop relies on constant experimentation, and the brutally intense punk hip-hop duo Ho99o9 (pronounced horror) sound unlike any other artist either in hip-hop or punk. Rappers and longtime friends theOGM and Eaddy formed the group in Newark around 2012, equally influenced by figures like Bone Thugs-n-Harmony and Rob Zombie — and these unlikely antecedents can be heard in the duo’s blistering releases. Ho99o9 earned a cult following with two thunderous EPs in the years leading up to their 2017 debut album, United States of Horror. It’s 45 minutes of unhinged aggression, with a sonic range that includes hardcore punk anthems to heavy industrial beats, with both theOGM and Eaddy taking turns spitting violently unforgiving bars. Although technically a hip-hip duo, Ho99o9’s mosh-friendly sound is likely to appeal to those who follow hardcore punk rather than hip-hop. But hip-hop fans should still give the duo a listen, as Ho99o9’s shocking and socially critical lyricism along with their boisterous presence make them unique in either genre. - SF Weekly
Windhand returned to action earlier this year with a new split album with fellow Virginians and occult rockers Satan's Satyrs that ramped up the hypnotic psychedelic elements to the band’s sound. In addition to reuniting with Jack Endino in Seattle to record their forthcoming fourth album Eternal Return slated for release this fall.
For the group’s current tour to promote the split album, Windhand returns to San Francisco to headline the Great American Music Hall Sunday night. The group is joined by thunderous Philadelphia-based heavy prog/psych crew Ruby the Hatchet, who released their latest effort Planetary Space Child on Tee Pee Records late last summer. - Dave Pehling
Click HERE for the rest of CBS SF Bay Area's preview!
For a band like the Buttertones, there’s a natural push and pull between nostalgia and looking ahead. Much of their sound is rooted in the past, with influences like punk rockers the Cramps, avant-garde singer-songwriter Scott Walker and the surf-rock and rockabilly of the 1960s and ’70s. And yet, the band manages to make listeners feel very much in the present
Wax Idols have a big night ahead on April 14, when they will headline the Great American Music Hall to play their upcoming album from start to finish.
“It’s a cool way for us to showcase all the work we have been doing the last few years and where we’re at as a group now which we’re really proud of,” said bandleader Hether Fortune. “It’s important to us to give the Bay Area people who have supported the band from the beginning the first opportunity to hear the record and have a unique experience.”
Click HERE for The Bay Bridged's preview!
Groove Soul artist Gene Evaro Jr.’s signature brand of folk electro-funk is making its way to Slim’s in a few days. The show is just days after the release of his third LP Like it’s 1965, which sees him blending Paul Simon folk songs with some deep funk from bands like Sly & The Family Stone. We wanted to learn more about this hot artist, so we reached out to him to talk about how he describes his music, what his main influences are and whether living in the desert has an impact on his music.
Click HERE for Music in SF's interview!
Frequently used as a name for God in the Hebrew Bible, Elohim is a fitting moniker for the mysterious musician who crafts innovative electronic pop. Elohim’s life has been infatuated with music since she began playing piano at the age of five and learning to sing four years later. This early means composition came naturally to Elohim, something that can be heard on her self-titled 2016 debut EP, which contains hypnotically addicting tracks like “She Talks Too Much” and “Xanax.” Although Elohim prefers to remain out of the public eye, with clear pictures of her impossible to find, her lyrics share intimate struggles with anxiety, relationships, and materialism. After spending much of 2017 quietly recording around Los Angeles, she’s set to release her first studio album, which is also self-titled. From the singles released so far, Elohim’s idiosyncratic pop reveals its evolution through playful and lushly produced singles like “F*ck Your Money” and “Hallucinating,” a departure from the dark themes explored on her prior EP. A breath of fresh air in pop music, Elohim has created a striking, and potentially chart-topping, sound that is singular to her. - SF Weekly
In Live This Month, we sample some of the great local and out-of-town bands performing in the coming month in the San Francisco Bay Area.
We've got a whole wealth of great local bands in this month's mix, with new music from Healers, The Family Crest, and Sandy’s joined by new-to-the-podcast acts Down 2 Earth, Shame Waves, Aria Rostami & Daniel Blomquist, and Moon Daze.
Electronic artists also make a big impression in this set. In addition to the Rostami/Blomquist track, enjoy synth-driven sounds from Alice Glass, Yaeji, and Lou Rebecca. Or, if you're looking for something heavier, check out Yamantaka // Sonic Titan's new sci-fi concept album, as well the dense, sample-driven rock of Kraus.
Enjoy the podcast and then go see some concerts! - The Bay Bridged
Take a listen HERE!