Wallows Make Their SF Debut Here At Slim’s on Sat. 7/15!


Wallows are Cole Preston, Braeden Lemasters, and Dylan Minnette. The LA-based band recently released their debut single “Pleaser” which quickly amassed over 2 million streams on Spotify and hit #2 on the Global Viral Top 50. (“…an upbeat, lo-fi indie rock anthem that will have your head-banging into the weekend. The song radiates some major summertime vibes, and we can practically feel the sun beaming down on us as they shout in the chorus.”- NYLON)

Their first show in San Francisco here at Slim's comes on the heels of sold out shows at The Troubadour, The Roxy and Constellation Room.

Tickets for Sat. 7/15 are going fast - get 'em while you can!

Bea Miller Gets Colorful In 2017 Album Releases (Playing GAMH on Mon. 6/26 w/ Latitude)


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Maplewood, N.J.-raised, Los Angeles-based actress, singer-songwriter Bea Miller has adopted an intriguing record-release strategy. The former “X-Factor” contestant issued her full-length debut “Not An Apology” in 2015, but this year she’s putting out a series of color-coded EPs: “Chapter One: Blue,” “Chapter Two: Red” and the upcoming “Chapter Three: Yellow.” “I have synesthesia,” she explains. “It’s essentially when you can see music in color. So ‘Blue’ is the songs I wrote when I was feeling sad and lost, ‘Red’ was written when I was going through a stage of empowerment, and I’m writing ‘Yellow’ right now, about the light at the end of the tunnel.”

You were raised by two showbiz moms. How cool was that?

It’s been awesome having two moms. I grew up in a town where everyone for the most part was very accepting, and there were a lot of LGBT families there. So I’m lucky to have grown up where I did, because there are a lot of places in the world where people are still having problems with things like that. And I was lucky to have experienced something that was different, kind of outside the box. Plus, having two bad-ass moms that didn’t take s— from anybody has helped me become the person I am.

So you weren’t afraid to recently call out electronic duo The Chainsmokers on Twitter, saying they only made music to meet models. Which was hilarious.

Yeah. And a lot of people just took that too seriously. A lot of times I’ll say things like that, and people get kind of angry with me. But I think a lot of people actually agree with me, because it is kind of hilarious that these two guys who are very frat-boy-ish are so successful in a very feminist world — it’s interesting, to me, that they can get by with this.

What sexism have you witnessed in the music business?

Well, if you’re a guy in music, you can be anything. You can be cute, you can be weird, you can be any style of human being, and as long as people like your voice, they’ll listen to you. But if you’re a woman, unless you’re really beautiful, like a model, you’ll have a hard time finding success. I’m not model-beautiful, like a Rihanna or a Selena Gomez, but I’m also not super weird, either. And so far, I’ve struggled with that. And I feel like a lot of women have that problem, where they have to over-sexualize themselves or do things that are weird and different. I don’t feel good about that, and I tweeted about it. I mean, you don’t see guys running around, shaking their asses in music videos! - SF Examiner

Guitar Player Presents North Mississippi Allstars at GAMH on Sat. 6/17


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Roots guitar guru Luther Dickinson brings his modern take on muddy Mississippi blues to one of the City by the Bay’s most historic venues—the Great American Music Hall—on the Prayer for Peace tour supporting the new North Mississippi Allstars album of the same name. The Allstars continue to celebrate the legacy of the blues while pushing it forward in a blend of nasty funk, modern soul, and mule-kicking rock and roll.
 Throughout the timely Prayer for Peace album, the Allstars blend a down home musical sensibility with messages of positivity, hope, and family. That’s all in play on the potent title track, which finds Dickinson’s furious fingerpicking and slinky slide in call-and-response with Sharde Thomas’ fife over a modern, electronic-tinged boogie beat. Other notable guests at the picnic include Hill Country Blues guitarist Kenny Brown, Midnight North’s Grahame Lesh, bassist Oteil Burbridge (Allman Brothers Band, Dead & Company), and singer/bassist Danielle Nicole (Trampled Under Foot).
 For this special stop on the Prayer for Peace tour, there will be significant six-string support in the form of opening act Cosmic Twang featuring premier acoustic flatpicker Scott Law and Terrapin Family Band stalwart Ross James.
 Guitar Player will be onsite at the Great American Music Hall Saturday night with an assortment of free goodies including magazines, D’Addario strings, and Planet Waves accessories. There will also be a raffle for a Mese/Boogie Flux-Drive overdrive pedal. Don’t miss this opportunity to share in the Prayer for Peace tour on this San Francisco stop during the 50th anniversary of the historic Summer of Love. - Jimmy Leslie / Guitar Player Magazine

 

Excited To Announce That Actual Wolf Has Just Been Added To Our Show With Mipso Here At Slim’s On Fri. 6/16!


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Actual Wolf is country rock for people who love country & rock music... oh yeah, and bad-ass country funk.

There are outlaws, and there are outlaws. Actual Wolf is a real outlaw and has pled guilty to it. In and out of the slammer since age 16 and/or whenever the mood strikes. And like Charlie Manson and Johnny Cash recorded music in prison, Actual Wolf recorded a pair of EPs while serving time - each showing 'another side of the Wolf.' The first is USA, an everyman’s acoustic album that channels both Woody and Dylan. The second, Lightning & the Wolf conjures a 30-something’s symphony to Gawd, a rock EP at times so ethereal that it floats like smoke up into the aether, at others so earthy & grounded you can almost feel the parole.

This show is the official West Coast digital release party for the brand-spankin' new release, Faded Days. Check it here: https://www.redhouserecords.com/store/faded-days

Country Joe Confirms 50th Anniversary San Francisco Show (Playing GAMH on Fri. 6/9!)


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Country Joe McDonald will celebrate the 50th anniversary of his landmark Electric Music For Mind & Body with a special show at San Francisco’s Great American Music Hall on Friday, June 9. The Woodstock veteran and his classic Country Joe and the Fish helped kick off the Summer Of Love with the May 11, 1967 release of their debut, Electric Music for the Mind and Body, which is credited as one of the first breakthrough San Francisco psychedelic records. A few weeks later, they performed at the first great rock music festival Monterey Pop Festival in June 1967

As previously reported,, McDonald recently released his appropriately titled new album, 50. McDonald first started working on the new batch of songs, which features The Tubes’ Prairie Prince and members of his band, in 2015. They returned to the studio 25 times to perfect the material. - Jambands.com

Desert Trip: Gram Parsons and ‘The Gilded Palace of Sin’ (Don’t Miss Sleepless Nights XIV at GAMH at on Sat. 6/10!)


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A recent poll of young Britons found that nearly a third of younger millennials—29% of 18 to 24-year-olds to be exact—claimed that they had never knowingly listened to an Elvis Presley song. Zero percent of this age group reported listening to Elvis’ music daily. This really isn’t all that surprising—or at least it shouldn’t be. We’re soon approaching the 40th anniversary of Presley’s death and while everyone of a certain age can probably recall exactly where they were when they heard that the King of rock ‘n’ roll had died—whether you were a fan or not, it was earth-shaking news in 1977—to someone born after that, bluntly put, the once titanic cultural importance of Elvis Presley is pretty negligible. If your reaction is that this is depressing—and perhaps it is—then you’re only showing your age. It’s just the way things are.

As the editor of a blog like this one—I was eleven years old when Elvis ate his final fried peanut butter and banana sandwich and frankly I doubt that I listen to him more often than once annually myself—I’m acutely aware of the balance between nostalgia and discovery. The biggest cohort of our readership is comprised of millennials. If nearly a third of young Brits have never purposefully or consciously listened to an Elvis Presley number, then how many of them would know a DEVO song? If you were born in 1965 or 1975, how much knowledge of the music of the 1940s or 1950s do you realistically possess? DEVO’s heyday is even further back than that for someone who is a high school senior in 2017.  “Oldies” radio doesn’t play Herman’s Hermits, the Supremes or Sonny & Cher anymore, it programs Sting, Nirvana and Celine Dion where that format even still exists.

So where would that leave the legacy of a cult artist like Gram Parsons, who died in 1973 at the age of 26 with but a small, yet influential body of work, as the 21st-century marches ever onward? If you are of a certain age, and presuming that you are a pretty big music fan, you no doubt have heard and hopefully appreciate the “cosmic American music” of this golden-voiced country rock progenitor/genius. To be sure, I think that there’s still a pretty strong Gram Parsons cult out there, but in 2017 its members tend to be know-it-all baby boomers with graying ponytails who want to give you their opinions of whatever album you happen to be looking at in a record store.

Only in Southern California, always a stronghold of Flying Burrito Bros. fandom, does there seem to be an organic all ages awareness of the great Gram Parsons. This has much to do with the desert and how inextricably intertwined the desert trip is with the mythos of Parsons’ death by OD in room 8 of the Joshua Tree Inn and how his body was subsequently stolen and given a drunken cremation near Cap Rock by his manager, Phil Kaufman.

It’s a SoCal rite of passage to do magic mushrooms in Joshua Tree and trip out under the desert stars listening to The Gilded Palace of Sin by the Flying Burrito Bros. as there is simply no greater soundtrack for this sort of activity in that particular place and I’d wager that 99% of all the patrons of Pappy & Harriett’s, whether young or old, male or female could readily identify any song from it that came on their jukebox. But again, it’s specifically a desert kinda thing. Let’s assume that the rest of the country’s Gram Parsons fans are probably spread out a little bit more.

Which is why the word needs to get out about Intervention Records’ recently released vinyl and (upcoming) SACD re-issue of The Gilded Palace of Sin. Mastered by Kevin Gray at Cohearent Audio, this is one of the best-sounding slabs of wax that I’ve ever heard in my entire life, which is exactly what you would want someone to say if you’re a new boutique record label catering to the snobbiest of jaded (and easily disappointed) audiophiles. Think you’ve heard it all? Wait until you’ve heard this! That beautiful young man’s quivering, vulnerable, plaintive voice, those harmonies with Chris Hillman and the exquisite chime of Sneaky Pete Kleinow’s buzzing, warmly-distorted almost psychedelic steel guitar, it’s all there in the grooves as never before, like they coaxed some extra music particles off the low generation analog tapes it was mastered from. Since I first heard The Gilded Palace of Sin in the early 90s—yes I was in Joshua Tree, and yes I was tripping under the desert stars—I’ve listened to it hundreds of times, but this is something else entirely. Always an exhilarating—and well-recorded—album to begin with, this absolutely sparkling pressing by Intervention represents the apex of the state of the art analog “triple A” production (no digital anywhere in the workflow) going today. They even make a new vinyl stamper after every 5000 uses so every copy is a “hot stamper.” I’ll say that again: If you’re looking for some primo vinyl to throw at your turntable, this is as good as it gets, a record you will find yourself flipping over and playing again and again and again. (And although I’d bet this is their showpiece, Intervention Records have also released exquisite editions of classic albums by Joe Jackson, Big Audio Dynamite, Stealers Wheel and they’ve announced some upcoming Judee Sill releases. Everything I’ve heard from them is crazy good, 10/10 stuff. Every audiophile should keep an eye on what they’re releasing.) - Dangerous Minds

Smidley Makes Bay Area Debut with Tigers Jaw (Playing at Slim’s on Tues. 6/6!)


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In the oddest of circumstances where you have yet to secure your ticket to Tigers Jaw and Saintseneca at Slim’s, an additional 10 reasons to put you over the edge were released this past Friday.

Conor Murphy, the voice of Foxing, has just unveiled a new record under the moniker Smidley and will be found on stage opening the night.

Click HERE to read the rest of The Bay Bridged's preview!

Stream Secret Sisters’ Defiant New Album ‘You Don’t Own Me Anymore’ (Playing GAMH Tues. 6/6!)


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"We write songs as a way for us to keep a scrapbook of our lives," says Laura Rogers, one half of the traditional-country harmony duo the Secret Sisters. On their vulnerable new album, You Don't Own Me Anymore, Laura and sibling Lydia Rogers flip the book open wide, revealing their most personal project to date. Produced by Brandi Carlile, the sisters' third album arrives June 9th on New West Records, but is streaming in its entirety below on Rolling Stone Country.

Take a listen HERE!

We Miss Barry Zito On The Mound, But He’s Back With Music! (Playing GAMH On Sun. 5/28)


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Barry Zito is coming back to the Bay Area and you have 2 chances to see him. Barry has been busy writing and recording songs and he's performing them at the Great American Music Hall in San Francisco on Sunday May 28th. On Monday May 29th, Memorial Day, Barry Zito returns to the field at AT&T Park for pre game festivities and a San Francisco Giants salute to the military.  I had the good fortune to talk to Barry and you can hear that interview and his music here... - Teri King / 96.5 KOIT

 

Planet Booty And Flynt Flossy Play SF, A Match Made In Funk And Dance (Wed. 5/24 At GAMH)


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Oakland electro-funk trio Planet Booty and R&B internet phenom Flynt Flossy and Turquoise Jeep are playing San Francisco May 24 in a show that is sure to light up the dance floor.

This lineup at the Great American Music Hall is the perfect pairing of two feel-good bands whose music spreads funk-soul joy and whose contagious butt shakes make everyone dance.

“They are high-energy, interactive with the crowd, and make people feel positive,” Planet Booty frontman Dylan Germick said of Flynt Flossy and Turquoise Jeep. “Those three things right there, that’s a match made in heaven for us.”

“It is going to be a really fun show, full of dancing and laughing and grinding.” - Carla Bova / The Bay Bridged

Read the full article HERE!

New Audio: Sleepy Sun Returns with a Slow Burning and Gorgeous New Single (Playing GAMH Fri. 5/26)


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Take a listen HERE!

Over the course of their decade together, the Bay Area-based psych rock band Sleepy Sun — comprised of Bret Constantino (vocals), Evan Reiss (guitar), Matt Holliman (guitar) and Brian Tice (drums) — have released five full-length albums that have established the band’s reputation for crafting material that sounds as though it owes an equal debt to 60s psych rock, classic rock, shoegaze and dream pop, and while at times being warmly familiar, they’ve managed to be put a unique spin upon it. Interestingly enough, with Private Tales, Sleepy Sun’s forthcoming album, the members of the band find themselves taking a much different approach than with their previously recorded albums, and as you’ll hear on the album’s first single “Seaquest,” the members of the Bay Area-based band have gone for a lush, more spacious — hell, much more patient approach with the song revealing nuanced layers and emotions upon repeated listens, while retaining the gorgeous guitar work and soaring hooks that have won them attention. However, whereas the band managed to sound cosmic, the new single evokes placidly (and somewhat aimlessly) sailing off into a gorgeous sunset, and the sensation of just quietly digging your surroundings and your place in the world. And in light of a world and sociopolitical climate that has gone absolutely mad, sometimes you need to take a moment to just exist. - Joy of Violent Movement

Justin Townes Earle Premieres ‘Maybe a Moment’ Video, Talks About New Record and Being an Expecting Father (Plays Slim’s on Fri. 6/2!)


The video for 'Maybe A Moment,' a track from Justin Townes Earle's upcoming eighth album "Kids In The Street," is a bit of a blast from the past for the singer-songwriter.

The clip, directed by Alicia J. Rose, tracks two young women traveling together, hitchhiking and eventually ending up in a rundown club where Earle is performing the song on stage. "It reminded me a lot of playing the Springwater in Nashville," Earle tells Billboard. "When I was 15 years old I would play from noon 'til seven at night there. There used to be this [girl] that showed up in mini-skirts and halter tops and she and her friends would dance in front of the stage. There'd be two old drunks at the bar, the girls dancing in front of me -- and those girls never looked like the ones in the video, that's for sure."

 And while the actresses seem to be portraying a lesbian couple, Earle hopes it's open to interpretation. "Really, it's just two young girls, one kind of egging the other on, like young kids do," he explains. The song itself, meanwhile, is drawn from some of Earle's own misspent, egging-on youth.

"It's one of the more autobiographical songs I've ever written," he notes. "When we were kids in Nashville whose parents wouldn't pay attention to you, we'd stay out all night. By 12 and 13 I would jump in a car with older boys and go to Memphis to see punk rock shows, drink Olde English 800s, smoke shitty s--tty and try to get back before school -- before we quit that and stopped going to school. We were doing all sorts of things we weren't supposed to do at fairly young ages. Looking back nostalgically now I wouldn't want to do it again, but there's something amazing I always remember about that, getting into the car and taking off on the highway with a bunch of idiots."

"Kids In The Street" is due out May 26, and marks the first time Earle has recorded outside of Nashville, working with producer Mike Mogis (Bright Eyes, First Aid Kit) in Omaha, Neb. "When you grow up with Nasvhille musicians and all the people there, it's hard to think about making a record anywhere else," Earle says. "The first thing that drew me (to Mogis) was the fact he had mixed M. Ward's "Hold Time" record and he also recorded Jenny Lewis' "Rabbit Fur Coat" record; those were just amazing sounding records, and he has great ideas. I mean, nobody in Nashville would've said, 'Let's put a bajo sexto on this song;' they would've tried to copy it with a guitar and something else and complicated it."

It's also Earle's first album since becoming a father, and while he finds plenty to grouse about, particularly the gentrification of some of his old Nashville neighborhoods, on the album, "Kids In The Street" finds him significantly more settled and easygoing throughout.

"These songs were definitely from somebody who's more clearheaded and married, for sure," Earle acknowledges. "I think that I do see things from a more calm and lucid perspective these days, and that has a lot to do with my wife." The couple is also expecting their first child in July. "We'll see what the kid does to [the music]," Earle says. "This record was written and in the can when we found out she was pregnant. I was actually in the studio when I found out; I was just kind of, 'Holy shit, I'm gonna have a kid' and blanked out the rest of the night."

Earle returns to the road Thursday (April 27) with The Sadies as his band, and shows currently booked into early June. "I couldn't ask for a better band to do it with," Earle says. "We've done shows together; I've opened for them, they've opened for me. We've never actually gotten a chance to work together, but I've been looking for a reason to for a long time, and here it is." - Billboard

Don't miss Justin Townes Earle + The Sadies + Sammy Brue at Slim's on Fri. 6/2!

Thrash-Punk Pioneers Stir Up A Pit At Slim’s (Sat. 5/6!)


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